Now it comes down to it. This is where the innate and almost primitive drive to create comes full on. This painting is going to be the end of me (Pam tells me that I say that about every painting). I am at a sticking point and have been trying to hammer it out all week to no avail. All the elements of newness, the new painting easel, applying oil pastel to huge canvas, a new sitting and arm position, have all arrived at once and it has been a challenge, not to mention that the painting itself IS NOT WORKING. I have scraped off twice and may have to do it again, though the thought of it makes me wince. But I will keep moving forward because I have to. I may walk away for a day or two, but I have to come back to it…sit down face to face in front of that monster of a problem. This is that drive I was mentioning up top and sometimes I don’t like it. At all, my friends.
Technique is important depending on what an artist is trying to achieve. And it is important in this particular painting, which I do not enjoy. It is curious to me now why I chose this idea. I do not prize technique over creativity and find technique to be quite a drain. I once thought it to be the end all be all, but now that I am more mature I place creativity on the top rung. Technique is nothing but a tool and anyone can learn it, yet this painting requires traditional realist techniques, something I don’t use a lot in my work and do not prefer to. I feel like I am back in college when I deal with traditional techniques. I left college because it permeated every class. I suppose this is why the modernist went in the direction they did, God bless ‘em.Maybe it isn’t as bad as I think (I am not normally a glass is half empty person, but a glass IS empty person, so this is a positive statement for me). Vincent looks marvelous. The work has been half sucessful at least…..or maybe I should look at the job section.